Antique Bronzes
Offer Wide Variety In Subject & Price
BOOK REVIEW
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This lovely lady is named “Big Windy Day.”
Her front skirt is hinged at her hands so it can be
exhibited in a raised position, revealing her anatomy. It
stands about 13 inches high, and is signed “Bergman.” The
author values this piece at $4500 to $6500. |
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Vienna bronzes, as the name indicates, come from Vienna, Austria.
They were first made in small foundries in the mid- to late-1800s,
and were cast from wax or plaster models. Following the casting,
finishing details were added by hand. Chasing used a tool on the
bronze to add texture. In the process of patination, oxides were
applied and the piece was reheated, which gave an all-over
monochromatic look. Other pieces were cold painted with oils; this
process was frequently used on pieces that were plants or animals.
The
bronzes are the subject of the book Antique Vienna Bronzes,
by Joseph Zobel, recently released by Schiffer Publishing.
The
most prominent companies associated with Vienna bronzes are those of
Franz Bergman and Carl Kauba.
The
Bergman Foundry was established in the 1880s. It is best known for
its cold painted bronze groups, which included animals, Oriental
scenes and erotica. The foundry closed in 1930 and in the 1960s, the
molds were sold to Karl Fuhrmann and Co., who continue to produce
new bronzes today.
Most
Bergman pieces are signed with either a “B” placed within a
double-handled urn and/or the word “Namgreb,” which is Bergman
spelled backward. Some Bergman pieces are unsigned.
Kauba, whose foundry operated during approximately the same time
period, is best known for his depictions of Native Americans – even
though he apparently never visited America, he obviously was
fascinated by the American West.
Most
of his pieces were signed “C Kauba” in script.
By
the beginning of the 20th century, there were about 50 foundries
producing Vienna bronzes. Some were signed; many were not.
Occasionally, a piece will be marked “Geschutzt,” which means
protected or copyrighted.
As
with many other antiques, fakes and reproductions are an issue with
Vienna bronzes. Added to this is the fact that some pieces are still
being made in Vienna today, using the old molds, which should
probably be called reissues. The quality of these reissues is good,
although not as good as the early pieces, and they lack the patina
of the older ones. They’re sold, as they were originally, through
higher end gift shops.
The
two main sections of the book are the Animal Kingdom and the Human
Condition. The former includes sections on reptiles, birds, rodents
and swine, antlered beings and camels, felines and canines, wild
animals and jungle beasts. It’s hard to think of an animal that
hasn’t been depicted in bronze.
The
Human Condition, has a section on females and males; Orientalists
and decorative lamps, and naughty and erotic.
A
final section includes the bronzes as useful objects, such as
birdhouses, bookends, vases and letter openers.
The
least expensive early Vienna bronzes sell for a few hundred dollars;
the value can climb to many thousands of dollars for less common
pieces or larger groupings. A value is included with the description
of each piece pictured.
Antique Vienna Bronzes (ISBN: 978-0-7643-2849-7) is priced at
$79.95. See the online catalog at www.schifferbooks.com; contact
Schiffer at (610) 593-1777; or check with your local bookseller.
Donna
Miller
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