Bookend Book A Valuable Resource For
Collectors
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Mark Twain and Tom Sawyer bookends were
made in 1936 by Jennings Brothers. They are 7 3/4 inches
tall and made of grey metal. They are a reproduction of
the central figure of the Mark Twain Memorial in Hannibal,
Missouri, and are valued at $275. |
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BOOK
REVIEW
The
Collector’s Encyclopedia of Bookends, by Louis Kuritzky
and Charles (Chuck) De Costa will be a valuable reference guide for
collectors of bookends. Over 2,300 pairs are pictured, with captions
that include the name of the piece, the date of issue, the material
from which they were made, any marks present, a rarity guide and a
value. While the majority of the pieces pictured are made of metal
of some kind, there are some examples included of pottery, glass and
chalk.
Histories are
given of many of the manufacturers, including some which are little
known. The stories behind some of the interesting bookends, such as
Mark Twain with Tom Sawyer, California’s Santa Barbara Mission and
the NCR School house (the National Cash Register company is best
known for its cash registers, of course, but the company did make
other things.)
The book also
includes several pages of marks and a comprehensive index by title.
If you collect bookends, you’ll want this 2006 publication by
Collector Books. It sells for $29.95.
Donna Miller
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Author Updates ‘Old Magazines’
BOOK REVIEW
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The Miss America Young Life magazine had
only two issues: the Fall and Winter of 1949. They are
valued at $7.50 to $15. |
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The second
edition of
Old Magazines, by Richard E.
Clear, is available from Collector Books. It includes magazines
from many different areas, from the well-known such as
The
Saturday Evening Post
(which began
publication in 1821,) to some little known publications, such as the
Electric Railway Journal (published from
1932 to 1942.)
There are many
reasons why people collect old magazines. One of these is to find
the work of the illustrators the magazines used. This includes both
cover art and art work used in advertisements or story
illustrations. Undoubtedly the best known is Norman Rockwell and his
Saturday Evening Post covers. However,
there were many, many more. Included in the book is a list of
illustrators and the magazines in which their work will be found,
from Charles Adams in the
New Yorker to Eugene Zimmerman
in
Life, Judge, Puck and
Collier’s.
Another
specialty that drives magazine collecting is paper dolls! These were
a popular feature in many magazines, such as
McCall’s,
Ladies Home Journal ,the
Woman’s
Home Companion and others. This
book lists them by character and gives the dates and magazines in
which they appeared. Probably the best known of these paper dolls is
Betsy McCall, who appeared in the
McCall’s magazine for almost
30 years.
Old
advertising is a third category in which some collectors specialize.
Already mentioned is the fact that some collectors are looking for
ads illustrated by certain artists. Other collectors are looking for
special products or brand names, such as Campbell Soup, Coca Cola,
or patent medicines.
Old
Magazines sells for $19.95.
***
Those who are
interested specifically in advertisements will want to see
Old
Magazine Advertisements, 1890-1950, also written by
Richard E. Clear. This book develops the topic more completely than
it was covered in the previous book.
The first
advertisement in an American periodical was probably one published
in
Franklin’s General Magazine in 1741, and
advertised a ferry that ran from Annapolis, Maryland, to
Williamsburg, Virginia. It wasn’t until the mid-1800s, however, that
magazines began including a large number of illustrated advertising.
From 1857 through 1880, magazines such as
Harper’s
Weekly included about 4 pages of advertising. By1891, some
magazines included up to 150 pages of advertising.
In 1910, the
magazines began using illustrators. Maxfield Parrish, Rose O’Neill,
Grace Drayton and N.C. Wyeth´ are among those who became well-known.
Many of the products they advertised soon outstripped them in name
recognition, however. Cream of Wheat, Ivory Soap, General Electric
and Chevrolet became known nationally, due in large part to their
extensive magazine advertising campaigns.
Several
hundred magazine ads are reproduced in this book, with values
included. The book sells for $24.95.
***
Both books are
available from Collector Books, P.O. Box 3009, Paducah, KY 42002; or
online at www.collectorbooks.com.
Donna
Miller
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Winchester Cartridge Boxes Topic Of
Book
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This is the two-piece 20-round box which
was the early style used for the longer Winchester rifle
cartridges beginning in the 1870s and continuing in some
calibers through World War II. |
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BOOK REVIEW
A very
specialized book, but one that will be of great interest to gun
collectors, is
One Hundred
Years of Winchester Cartridge Boxes 1856-1956. It is written by
Ray T. Giles & Daniel L. Shuey.
The book
covers the 100 years that Win chester and its predecessor companies,
Volcanic Repeating Arms Co. and the New Haven Arms Co., produced
cartridges.
Utilizing old
company records and correspondence, and interviews with long-time
employees, the book includes coverage of all calibers cataloged for
every rifle model from 1856 to 1956. The boxes in which the
cartridges came are pictured in over 1400 photographs, along with
detailed captions, rarity guides and values.
Many of the
earliest boxes were formed metal. The labels on these pre-1860 “tin”
Volcanic boxes, which held 200 cartridges, were under the lid. By
the early 1860s, most cartridges were sold in two-piece cardboard
boxes. the top and bottom halves meeting in the middle to form what
has become known as the ‘two-piece, half-split” box. They came in
several sizes. Numerous other types of boxes were used over the
100-year period, such as a book style utilized by the Marine Corps.
One
Hundred Years of Winchester Cartridge Boxes is a 2006 Schiffer
publication. It is priced at $69.95 (hardback.) Check with your
local bookseller; contact Schiffer at (610) 593-1777; or see the
online catalog at www.schifferbooks.com.
Donna
Miller
Return to Index |
Quilts Tell A Story Of The Oregon
Trail
BOOK REVIEW
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The Sunflower quilt, made by
Matilda Knight Stauffer in 1860. |
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Quilts of the
Oregon Trail, by Mary Bywater
Cross, presents a new way to look at the history of the Pacific
Northwest, as it traces the lives of many of our early pioneers
through the quilts the women made.
Most of the
history of the Oregon Trail migration, in which a quarter of a
million Americans moved west, his been written by men, and focuses
on their activities. And, in fact, it was usually the men who wanted
to make the journey. The women went along because they had no
choice, once their husbands or fathers had decided to go.
While some diaries
were kept which present a woman’s point of view, the quilts they
made can also tell a story. And that is what Quilts of the Oregon
Trail does: it presents quilts as documents of history.
According to the
author, quoting historian Rachel Maines, quilts must meet several
necessary requirements to be valid historical documents. They must
have a continuous and traceable history; they must reflect the
experience of the mainstream of society at the time they were made;
and they must be honest in representing the free expression of the
maker.
The author discusses
the quilts in three categories: those made before the journey, those
made during the journey, and those made afterward, altogether
covering the period from 1825 to 1925. An additional section
includes quilts made by those women who did not journey west but
instead waited - either for a loved one’s return or to join him in
the west once he was established. Altogether 56 quilts are included.
Most of the quilts
that were made before the trip west were taken along to be used.
They served not only as bedding, but were also used as insulation
for the walls of the wagon; as privacy dividers and decoration in
the wagon; as burial shrouds; and as a commodity. For instance, a
quilt could be used to pay the toll on the Barlow Toll Road across
Mt. Hood in Oregon.
The histories of many
women are told in conjunction with their quilts. One example is
Matilda Knight Stauffer, who came over the Oregon Trail in 1863. She
came as a daughter with her father, stepmother, and all their
family, which included seven sons and two daughters. They were
members of Dr. William Keil’s Bethel Colony in Pennsylvania, which
settled first in Willapa, Washington Territory, and then moved south
to found the colony of Aurora, Oregon.
Joseph Knight was with
Keil on the first journey out, and then returned for his family to
make the second trip of the Bethel Colony. However, he opted to join
five other families and stay at the Willapa site, rather than move
to Aurora.
At Willapa, sometime
between 1863 and 1867, Matilda Knight married Jacob Stauffer. She
died giving birth to twins in 1867, as did one of the babies. Jacob
and the other twin, named for her mother, lived with the Stauffer
family, where the young Matilda was raised by Jacob’s five sisters.
At some time, they all
moved to Aurora, where they are listed in the 1880 census - with all
five sisters still unmarried. (Dr. Keil approved of celibacy and
disapproved of marriage.)
Matilda Stauffer
married August Will in 1889, and the quilt has passed through her
family to this day, where it is now treasured by her
great-granddaughter, Vera Kocher Yoder of Woodburn, Oregon.
The Sunflower quilt
measures 101” x 85” and was made of bright primary colors. There are
20 blocks of sunflowers separated by diamond segments. The back of
the quilt is also interesting, containing large strips of a mixture
of plaid fabrics - indicating most likely a desire to use whatever
remnants of fabric were available.
This book is as
interesting from a historical perspective as it is from a quilter’s
perspective, especially to those living in the Pacific Northwest.
Quilts of the Oregon Trail is produced by Schiffer Publishing.
It is priced at $29.95.
Contact Schiffer
Publishing at 4880 Lower Valley Rd. Atglen, PA 19310 or visit the
web site at www.schifferbooks.com.
Donna Miller
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