Celluloid Toys Product Of
Inexpensive Manufacturing Process
BOOK
REVIEW
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This is a two-tone rattle with googlie
eyes which move back and forth when the toy is shaken. The
front is cream colored; the back looks like a hat. It was
colored either pink or blue. The author values the rattle
at $55. |
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Celluloid was
one of the greatest manufacturing discoveries of the 1800s. It was
used as an affordable replacement for many natural materials, such
as tortoiseshell and ivory. It worked well and inexpensively for
such products as men’s detachable cuffs and collars. It could be
made in many colors, was easy to work with and could be
mass-produced.
Among the
items that were produced in quantity in celluloid were dolls and
toys. These are the subject of
Celluloid
Dolls, Toys & Play things, a 2006 publication
of Collector Books, written by Julie Pelletier Robinson.
There are
three main sections to the books: American Manufacturers, Foreign
Manufacturers; and Repairing Celluloid Toys. The introductory
information also includes several pages of how to care for a
collection of celluloid toys.
Many, if not
most, of the celluloid manufacturers chose a specific name for their
version of celluloid, which can be a point of confusion for
collectors. For example, the Parsons-Jackson Company, originally a
maker of celluloid cuffs and collars, patented a doll in 1914 made
from their brand which they called Biskoline.
The Arlington
Manufacturing Company, which was one of the strongest makers of
celluloid by the late 1890s, called its product pyralin. It added
toys to its line in 1913, making such products as toy bath sets and
sets of dishes.
Viscoloid,
another version of celluloid, was actually used as the company name.
It began business in 1901, and its first products were fashionable
hair combs. However, when that market began to disappear a few years
later, they expanded into the manufacture of vanity items, and in
1914, added toys to its line.
As can be seen
from the dates above, the manufacture of toys of celluloid became
important as World War I interrupted the importation of toys from
Germany. Prior to the war, that country had been a major producer of
toys of all kinds being sold in the United States.
The book
includes celluloid toys made in Belgium, Czechoslovakia, Denmark,
Eng land, France, Germany, Italy, Japan and Poland.
The primary
drawback to products made of celluloid is their flammability. It was
the introduction of non-flammable plastics that eventually put the
end to the manufacture of most celluloid products, including dolls
and toys.
While
Celluloid Dolls, Toys & Playthings (ISBN
1-57432-464-0) will be of special interest to collectors of those
items, it also contains a wealth of information that will benefit
collectors of other celluloid products, as well. The book is priced
at $29.95. Contact Collector Books at PO Box 3009, Paducah, KY 42002
or online at
www.collectorbooks.com.
Donna Miller
Return to Index |
Machine To Make Mesh A Great
Achievement
BOOK REVIEW
|

This sparkly silver-and-black mesh purse is made in the
Persian carpet pattern. It has a white and black enamel
frame with a central black diamond-shaped accent. The
authors value this Whiting and Davis purse at $225 - $275. |
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For over 100
years, Whiting and Davis have been making beautiful mesh purses.
They are pictured in over 700 photographs in the Schiffer
publication
Whiting &
Davis Purses, The Perfect Mesh, written by Leslie
Pina & Donald-Brian Johnson.
The company’s
history can be traced to 1876, and it was originally a manufacturer
of jewelry. In 1892, Charles Whiting, then just an employee of the
company who was seeking to increase sales, created the first mesh
handbag. It was a laborious process, originally; all the links that
formed the mesh had to be connected by hand. It was tedious,
tiresome and not very cost effective, even though the work was
farmed out to needy families in the area.
The real
breakthrough came in 1909, when an automatic mesh-making machine was
invented. By that time Whiting had bought into the company and he,
with his partner Edward Davis, purchased the patents for this
machine. With the implementation of these processes, which could
produce mesh at the rate of 700 rings per minute, the company was
well positioned to meet fashion’s demand for the very popular mesh
purses.
But they were
more than just purses; they were works of art. The finest of
materials, including precious metals and gemstones, and designs by
some of the leaders of fashion, such as Elsa Schiaparelli, combined
to make the purses extremely desirable. They were sold in high end
jewelry stores, but they were advertised extensively in women’s
magazines and with displays in major retail outlets.
Today, after
going through numerous ownership changes in recent years, the
Whiting & Davis brand name is licensed to Indolink, and all new
handbags and similar items are designed by Inge Christopher and
manufactured overseas. The company of Whiting & Davis itself is
still located in Massachusetts as a division of Bacou-Dalloz and is
a world leader in the production of stainless steel mesh safety
products, as well as providing mesh fabric to designers such as
Ralph Lauren and Donna Karan to use in specialty items from dresses
to tablecloths.
In addition to
the hundreds of purses shown in the book’s photographs,
advertisements, catalog pages and some mesh jewelry are also
pictured. A price guide is included.
Whiting & Davis
Purses, The Perfect Mesh, by Pina & Johnson,
is priced at $59.95. Check with your local bookseller or visit
Schiffer online at www.schifferbooks.com.
Donna Miller
Return to Index |
Book On Native American Fetishes
In Second Edition
BOOK REVIEW
|

This buffalo mea-sures 6” in length and
is carved of angelite. It has jet inlay eyes and was
carved by the Zuni artist Herbert Him. The author values
it at $325-$375. |
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The second
edition of
Native American Fetishes, by Kay Whittle, is
available from Schiffer Publishing. Although fetishes have been made
and used by many tribes, the author has chosen to specialize in
those made by the tribes of the American Southwest: Zuni, Navajo
and other pueblo tribes.
True fetishes,
which are carvings of small animals, have great significance in the
daily lives of the tribal members, having religious, hunting and
curing uses. They are sacred objects.
However, today
fetishes are also being made for retail purposes by skilled carvers
within the tribes. These have not been blessed by a shaman or used
in cultural rituals which give them power. Never the less, these
small carvings have great appeal, and there are even collectors
outside of the Native American tradition who believe in the power
they hold.
There are
several reasons for collecting fetishes. Some people enjoy them for
aesthetic reasons, as affordable, hand-crafted sculpture. Others
enjoy the natural materials from which they are made, whether it be
bone, shell, wood, stone or some other naturally occurring product.
Since almost all fetishes are animals, they also appeal to animal
lovers. Others purchase and carry them to ward off bad luck. And
finally, some buy them as they search to understand the meaning and
life styles of those who made them.
Whether the
fetish is a badger made of turquoise or a buffalo made of marble,
these small carvings appeal to a growing number of collectors.
Native
American Fetishes (ISBN:
0-7643-2516-7), by Kay Whittle is priced at $14.95. It contains
hundreds of color photographs, with values, and information on what
each animal represents in the culture of the Southwest. Contact
Schiffer Publishing at (610) 593-1777 or online at
www.schifferbooks.com.
Donna
Miller
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